The Plate for C300 MkIII/ C500 MkII can be used either shoulder mounted compatible with a VCT-14 style plate such as the QRP-1 or by using the Bridge Plate Adapter BPA-5 to mount the cine-style BP-8, BP-9 or BPS-2. Both versions can be changed easily to the front and the back by sliding and exchanging one against the other without the need to detach any accessories from the camera. The plate includes an interface for two 15mm rods at the front and an optional 15mm lightweight support at the back.
The ARRI Plate for Canon C700 is an hybrid support that is well-suited to common rental setups using studio bridge plates such as the BP-8 or BP-9, as well as documentary setups using VCT-style base plates like the ARRI QRP-1.
The ARRI plate for Panasonic AU-EVA1 is a hybrid support with 15mm LWS Base Plate and comfortable shoulder pad. The plate works perfectly with BP-8 or BP-9 and also with VCT-style tripod adapters such as the QRP-1.
The ARRI Top Plate for RED DSMC2 is designed for low-mode applications and features industry-standard threads. It connects to the camera’s electronic interface and offers a LEMO connector compatible with the RED LEMO adapter B.
The Plate for Sony FS7II/FX9 with integrated 15mm lightweight support and a comfortable shoulder pad can be adjusted for perfect balancing. The plate is compatible with VCT-style tripod adapters such as the QRP-1 from ARRI or BP-8, BP-9 and BPS-2. The optional Lens Adapter Support LAS-1 (K2.0003899) offers the possibility to support lens adapters from below.
The 600mm/24 inch Bottom Dovetail Plate is the perfect solution when working with large and heavy zoom lenses where maximum balancing is required. An additional rod support for stabilizing the rods in the front is available for either 15mm Studio (RSB-15 K2.0000437) or 19mm Studio (RSB-19 K2.0000440). All ARRI bottom dovetail plates feature 3/8” and ¼” Camloc® inserts.
The BP-9 helps optimize camera rig balance when combined with the range of ARRI bottom plates. It brings compatibility with studio 15 mm rod systems to an increasing number of ARRI and third party cameras.
The BP-8 helps to optimize camera rig balance when combined with the range of ARRI bottom plates. It brings compatibility with studio 19 mm rod systems to an increasing number of ARRI and third party cameras.
The 450mm/18 inch Bottom Dovetail Plate fits perfectly with smaller and medium zoom lenses where a bit more balancing is required. All ARRI bottom dovetail plates feature 3/8” and ¼” Camloc® inserts.
The Plate comes with two integrated 15mm lightweight supports (at the front and the back) and is compatible with the BPA-5 (K2.0017138) and the BSA-1 (K2.0043749). This plate offers a pair of M4 threads on each side to attach the side brackets left and right.
Compatible with VCT- style plates such as the ARRI QRP-1. Offers a wide range of shoulder adjustments without affecting the placement of accessories fitted to the integrated 15mm LWS rod system. Compatible with following Canon Cameras: Canon EOS C200 (with additional Adapter Plate for Canon C200), Canon EOS C300, Canon EOS C300 MkII, Canon EOS C500.
The 300mm/12 inch Bottom Dovetail Plate is the standard for all prime lenses where minimal balancing is required. All ARRI bottom dovetail plates feature 3/8” and ¼” Camloc® inserts.
Compatible with Sony Venice 1/2 and Sony BURANO.The Plate comes with two integrated 15mm lightweight supports (at the front and the back) and is compatible with the BPA-5 (K2.0017138) and the BSA-1 (K2.0043749). This plate offers a pair of M4 threads on each side to attach the side brackets left and right.
Two-part design compatible with the following top handles:Canon’s C400 camera grip, CCH-4.Compatible with K2.65264.0 15mm LWS Rod Console at the front to use rods.Multiple interfaces (ARRI Pin Lock 3/8 and 1⁄4 inch M4).Includes interfaces for the side brackets left and right.ARRI Multi-Hex screws implemented.
Two-part design compatible with the following top handles:Burano, FX9, CCH-4.Compatible with K2.65264.0 15mm LWS Rod Console at the front to use rods.Focus hook and cable guide from the BURANO can be mounted on the top plate.Multiple interfaces (ARRI Pin Lock 3/8 and ¼ inch M4).Includes interfaces for the side brackets left and right.ARRI Multi-Hex screws implemented.
The new Top Plate allows the use of the original Sony handle. The middle part of the plate can be removed. Both plates can be used separately if required, e.g. to save weight. The Top Plate is equipped with a variety of 3/8-16, 1/4-20 and RMB-3 interfaces.
The Base Plate for the Venice Extension Unit is compatible with the BPA-5 and the ENG-style shoulder bottom part from the plate for Sony Venice. Like with the Sony Venice both can be easily attached by sliding them on and off from front or back. The release button is accessible from both sides. 15mm lightweight rod support standard is integrated.Compatible with Extension Unit (Rialto) 1 and 2.
The Base Plate is designed as a Balance Utility Dovetail (BUD) and mounts directly to the underside of the camera. Its integrated dovetail enables extensive fore-aft balancing adjustments when used with all standard shoulder pads, bridge plates, and SAM plates.Compatible with CBP-5, CBP-6, CSP-2, BPA-6, UAP-4, SAM-5/6/7/8/9 and LTP-1. These accessories can be easily attached by sliding them on or off from the front or rear, with the release button accessible from both sides.The Base Plate offers a pair of M4 threads on each side to attach the side brackets left and right, and an additional pair of M4 threads on the front side to attach a Lightweight Support LWS-7 as 15 mm rod mounting support.Compatible with Fujifilm GFX ETERNA 55 camera.Please note: Due to the height of the Fujifilm ETERNA 55, rods mounted via the Compact Bridge Plates CBP-5/-6 and the BPA-6 are positioned approximately 10 mm below the standard heights defined for 15 mm LWS and 15/19 mm Studio rod standards. To achieve the standard 15 mm LWS height please use the Base Plate for ETERNA 55 together with the LWS-7 for full compatibility. The 19 mm Studio standard height is not supported
The Base Plate is designed as a Balance Utility Dovetail (BUD) and mounts directly to the underside of the camera. Its integrated dovetail enables extensive fore-aft balancing adjustments when used with all standard shoulder pads, bridge plates, and SAM plates.Compatible with CBP-5, CBP-6, CSP-2, BPA-6, UAP-4, and SAM-5/6/7/8/9. These accessories can be easily attached by sliding them on or off from the front or rear, with the release button accessible from both sides.The Base Plate offers a pair of M4 threads on each side to attach the side brackets left and right.Compatible with Sony VENICE Extension System Mini
The ARRI Top Plate for Canon C200 is a low-mode support, featuring numerous accessory threads and a built-in console for 15 mm LWS with the possibility to use either the original C200 or the ARRI CCH-2 top handle.
The Top Plate for C300 MkIII/ C500 MkII offers a variety of 1/4-20 3/8-16 and M4 threads for additional accessory support such as the RMB-3, CCH-4 (CCH-4 Sliding Adapter option) or CCH-2. An integrated optically centered 15mm lightweight support interface allows to mount 15mm rods or the Mini Viewfinder Bracket MVB-1 (K2.0006140). The C500 MkII monitor (via the Monitor Bracket for Canon C200 K2.0015520) or Canons C700 EVF (via K2.0013195 EVF bracket for C700) can be attached to the MVB-1.
Compatible with Sony Venice 1/2.Low-mode support, featuring numerous threads (3/8”-16 1/4”-20 M4) for additional accessories and an optical centered built-in 15mm lightweight console with the possibility to use either the original Sony Venice Viewfinder and bracket or ARRI´s Mini Viewfinder Mounting Bracket MVB-1 in combination with the EVF bracket for Sony DVF-EL200. This plate offers a pair of M4 threads on each side to attach the side brackets left and right.
The LTP-1 enables direct tripod mounting of the BUD via an integrated “Touch and Go 35” snap-plate, with no additional plate required.The modular design consists of two main components: an adapter plate with a dovetail interface for compatibility to the BUD, and an adapter plate for various tripod heads.The snap-plate features two 3/8 Multi-Hex screws for secure attachment and includes four recesses on the rear side for applying rental labels.Two additional threaded holes allow repositioning of the 3/8 screws to support vertical format shooting.The counterpart BUD dovetail is compatible with standard Touch and Go 16 interfaces.Front and rear interfaces are provided for LWS-7 support.
The Bridge Plate Sled BPS-2 is a lightweight alternative to a studio bridge plate when a bottom plate is useful for better balancing but studio rods are not needed. Compatible with most 3rd party ARRI accessories sharing the same BP-8/ BP-9 interface.
The shortest of our Bottom Dovetail Plates fits very well on camera carts, car mounts, Steadicam or with any applications when balancing is not necessary, but the interface is welcome to work with an BP-8/-9. All ARRI bottom dovetail plates feature 3/8” and ¼” Camloc® inserts.
The Top Plate is attached to the Extension unit with four screws. It offers plenty of interfaces (3/8-16 and 1/4-20 with anti-twist pin holes RMB-3 CTH-1 CCH-2 and CCH-4 15mm LWS Rod Console at the back). It includes an optically centered 15mm lightweight rod support with individual rod clamps. An interface at the back offers the usage of ARRI´s 15mm LWS Rod Console.Compatible with Extension Unit (Rialto) 1 and 2.
The Back Plate is attached to the Sony VENICE Extension System Mini camera at the top of the back with four ARRI Multi-Hex screws. It offers multiple interfaces (ARRI Pin Lock 3/8 and 1⁄4 inch M4).Compatible with Sony VENICE Extension System Mini.
Offers front and rear 15mm LWS integrated rod consoles, a pair of ARRI rosettes and direct compatibility to studio bridge plates such as BP-8/-9. Compatible with following Canon Cameras: Canon EOS C200 (with additional Adapter Plate for Canon C200), Canon EOS C300, Canon EOS C300 MkII, Canon EOS C500.
Low-mode plate fitted with an integrated 15mm LWS rod console that provides room for handle and accessories. Compatible with Canon EOS C300 MkII and with the origial Canon top handle.
Slim-profile cheeseplate with cut-out for unobstructed access to the drop-in cartridge system for ND filter exchange. The Top Plate is attached to the camera with two ARRI Multi-Hex screws. It offers multiple interfaces (ARRI Pin Lock 3/8 and 1⁄4 inch M4). Includes interfaces for the side brackets left and right. Compatible with RMB-3 and NATO Rail for Sony VENICE Ext. Mini.Compatible with Sony VENICE Extension System Mini.
The ARRI Adapter Plate for Canon C200 is an intermediate plate in between the C200 camera body and either the Cine Plate for C300 MkII or the Broadcast Plate for C300 MkII.Note: A plate for the Canon C300 MkII is needed (Cine or Broadcast) to use the adapter plate for Canon C200 with the C200 camera.
The Bridge Plate Adapter BPA-5 allows quick transfer from shoulder camera to cine style bridge plates such as BP-8 and BP-9. It is compatible with the upper part of the Plate for Sony Venice, Sony Venice Extension Unit, Canon C300 MKIII, C500 MKII and Broadcast Plate for ALEXA Mini/Mini LF.
The Back Plate can be mounted either at the top or at the bottom of the back and it is also compatible with the Repeater Unit (an extension cable) for either horizontal or vertical attachment.It offers plenty of interfaces (1/4-20 3/8-16 with anti-twist pin holes).Compatible with Extension Unit (Rialto) 1 and 2.
The Back Plate 2 can be used as a single part or as an adapter to attach the Back Plate to it. When used in combination with the Back Plate, the rear body of the Extension Unit 2 is at the same level as the Back Plate. This allows more flexibility when attaching accessories.Compatible with Extension Unit (Rialto) 1 and 2.
Renders ALEXA Classic, ALEXA Plus, ALEXA Plus 4:3, ALEXA XT, ALEXA XT Plus, ALEXA SXT EV, ALEXA SXT Plus, ALEXA SXT W, ALEXA LF and is compatible with ARRI cine bridge plates such as BP-8 and BP-9. Not needed for ALEXA Studio.